1960s 

Press from 1950s

Schulyer, James. “Reviews and Previews,” ART news, April 1958, p. 53.

Ventura, Anita. “In The Galleries: Joseph Fiore and John Chamberlain,” Arts, April 1958, p. 61.

Porter, Fairfield. “Reviews and Previews,” ARTnews, January 1959, p. 17.

Kramer, Hilton. “Month in Review,” Arts, June 1959, p. 48.

 

Sandler, Irving H. “Reviews and Previews,” ARTnews, January 1960, p. 18.

“From Exhibitions Here and There,” Art International, January 1960, p. 67.

Ashton, Dore. “Art: Two Abstractionists,” The New York Times, January 6, 1960.

Judd, Donald. “In the Galleries,” Arts, February 1960, p. 57.

Butler, Barbara. “Movie Stars and Other Members of the Cast,” Art International, February/March 1960, p. 52.

Ashton, Dore. Arts and Architecture, March 1960, p. 11.

Morse, John. D. “He Returns to Dada,” Art in America, Fall 1960, p. 76.

“American Sculpture in Paris,” Art in America, Fall 1960, p. 97.

Sandler, Irving H. “Ash Can Revisited: A New York Letter,” Art International, October 25, 1960, pp. 28-30.

Ashton, Dore. “La sculpture americaine,” XX Siecle, December 1960, p. 91.

Choay, Francoise. “Lettre de Paris,” Art International, December 1, 1960, pp. 35-36.

Canaday, John. “Gargoyles for the Machine Age,” Horizon, March 1961, p. 112.

Sandler, Irving H. “New York Letter,” Art International, March 1, 1961, p. 43.

Friedlander, Albert A. “Sculpture Show Satisfying,” Chicago Daily News, March 25, 1961.

Whiteside, Forbes. “Three Young Americans,” Allen Memorial Art Museum Bulletin, Fall 1961, pp. 52-57.

Hess, Thomas B. “Collage as an Historical Method,” ARTnews, November, 1961, p. 70.

Raynor, Vivien. “The Art of Assemblage,” Arts, November 1961, pp. 18-19.

Rubin, William. “The International Style: Notes on the Pittsburgh Triennial,” Art International, November 20, 1961, pp. 26-34.

Sandler, Irving H. “New York Letter,” Art International, November 20, 1961, p. 54.

Nordland, Gerald. “West Coast in Review,” Arts, December 1961, p. 64.

“Il Premio Carnegie 1961,” Domus, January 1962, p. 26.

O’Doherty, Brian. “Art: Transformed Scrap,” The New York Times, January 19, 1962.

Sandier, Irving. “In the Art Galleries,” New York Post, January 21, 1962.

Edgar, Natalie. “John Chamberlain,” ARTnews, February 1962, p. 15.

Ashton, Dore. “Art,” Arts and Architecture, March 1962, pp. 6-7.

Judd, Donald. “In the Galleries,” Arts, March 1962, p. 48.

Kozloff, Max. “New York Letter,” Art International, March 1962, pp. 52, 63.

S. G.R. “Reviews and Previews,” ARTnews, May 1962, p. 55.

Fried, Michael. “New York Letter,” Art International, October 25, 1962, pp. 72-76.

Ashton, Dore. “New York Report,” Kunstwerk, November 1962, p. 69.

Robbins, Daniel. “Modern Sculpture from the Joseph H. Hirshhorn Collection,” Apollo, November 1962, pp. 720-21.

Roberts, Colette. “Lettre de New York,” Aujourd’hui, November 1962, p. 50.  

Raynor, Vivien. “In the Galleries,” Arts, December 1962, p. 46.

Sandler, Irving. “Reviews and Previews,” ARTnews, December 1962, p. 54.

Rudikoff, Sonya. “New Realists in New York,” Art international, January 25, 1963, pp. 39-41.

Restany, Pierre. “The New Realism, “ Art in America, February 1963, pp. 102-104.

Coplans, John. “Reviews: John Chamberlain, Dilexi Gallery,” Artforum, March 1963, pp. 10-11.

“Premier Salon International de Galeries-Pilotes,” Art International, June 25, 1963, pp. 23-26.

Judd, Donald. “Kansas City Report,” Arts, December 1963, pp. 25-26.

Judd, Donald. “Chamberlain—Another View,” Art International. January 16, 1964, pp. 38-39.

Rose, Barbara. “How to Look at John Chamberlain’s Sculpture,” Art International, January 16, 1964, pp. 36-38.

Krauss, Rosalind. “Boston Letter,” Art International, February 15, 1964, pp. 32-33.

Brown, Gordon. “Gallery Previews,” Art Voices, March 1964.

Lausdale, Nelson. “Huge Sculpture Secretly Commissioned for New York World’s Fair,” Art Voices, March 1964.

Coplans, John. “Reviews,” Artforum, April 1964, pp. 38-40.

Hess, Thomas. “Editorial: Moses the Art Slayer Wins One Round,” ARTnews, April 1964, p. 25.

Ashbery, John. “Art and Artists in Paris,” The New York Herald Tribune, April 14, 1964.

Seldis, Henry. “Reporting from L.A.,” Art Voices, April/May 1964.

“Venice: The Biennale XXXII,” Arts, May/June 1964, pp. 76-77.

Johnson, Philip. “Young Artists at the Fair and at Lincoln Center,” Art in America, August 1964, p. 112, 117.

Judd, Donald. “in the Galleries,” Arts, September 1964, p. 71.

Swenson, Gene R. “Reviews and Previews,” ARTnews, September, p. 10.

Chevalier, Denys. “La Sculpture a la XXXIIe Biennale de Venise,” Art International, September 25, 1964, pp. 42-44.

Gassiot-Talabot, Gerald. “La Panoplie de l’oncle Sam a Venise,” Aujourd’hui, October 1964, p. 32.

Rose, Barbara, “New York Letter,” Art International, December 1964, pp. 47-50.

Edgar, Natalie. “Reviews and Previews,” ARTnews, February 1965, p. 13.

Rose, Barbara. “Looking at American Sculpture,” Artforum, February 1965, p. 30.

Lippard, Lucy R. “New York Letter,” Art International. April 1965, pp. 48, 53.

Seldies, Henry J. “West Coast Milestone,” Art in America, April 1965, p. 109.

Smith, Thomas Macaulay. “Art for the Underground House: A Criticism,” Art Voices, Winter 1965.

Piene, Nan R. “New York: Gallery Notes,” Art in America, May/June 1966, pp. 108-109.

Langsner, Jules. “Los Angeles,” ARTnews, January 1967, p. 63.

Townsend, Benjamin. “Albright-Knox-Buffalo: Work in Progress,” ARTnews, January 1967, p. 30.

Coates, Robert M. “The Art Galleries: Sculpture at the Whitney,” The New Yorker, January 7, 1967, pp. 84-86.

Leider, Philip. “A New Medium for John Chamberlain,” Artforum, February 1967, pp. 48-49.

Anderson, Wayne. “American Sculpture: The Situation in the Fifties,” Artforum, Summer 1967, pp. 60, 67.

T. A. “Reviews and Previews,” ARTnews, Summer 1967, p. 13.

Schulze, Franz. “Collector A. James Speyer,” Art in America, July/August 1967, p. 40.

Alloway, Lawrence. “Marilyn as Subject Matter,” Arts, September/October 1967, p. 40.

Fry, Edward F. “Sculpture of the Sixties,” Art in America, September/October 1967, p. 26.

Fry, Edward F. “The Issue of Innovation,” ARTnews, October 1967, p. 40.

Tillim, Sidney. “Scale and the future of Modernism,” Artforum, October 1967, pp. 14-18.

Mellow, James R. “The 1967 Guggenheim International,” Art International. December 1967, pp. 51-53.

Alloway, Lawrence. “Peter Forakis since 1960,” Artforum, January 1968, p. 25.

Kelly, Kay. “Chickie, It’s a Groove and a Gas…,” Twin Citian, March 1968, pp. 51-58.

Bannard, Darby. “Cubism, Abstract Expressionism, David Smith,” Artforum, April 1968, pps. 22-32.

Meadmore, Clement. “Thoughts on Earthworks, Random Distribution, Softness, Horizontality and Gravity, “ Arts, February 1969, pp. 26-27.

Schjeldahl, Peter. “The Vicissitudes of Sculpture,” The New York Times, February 9, 1969.

Benedikt, Michael. “Reviews and Previews,” Artnews, March 1969, p. 14.

Pomeroy, Ralph. “Soft Objects at the New Jersey State Museum,” Arts, March 1969, p. 47.

Baker, Elizabeth C. “The Secret Life of John Chamberlain,” ARTnews, April 1969, pp. 48-51, 63-64.

Wasserman, Emily. “Review: New York,” Artforum, April 1969, pp. 72-74.

Nordland, Gerald. “Robert Natkin,” Art International, October 1969, p. 53.

Armstrong, Lois. “Los Angeles,” ARTnews, December 1969, p. 73.

Plagens, Peter. “Los Angeles,” Artforum, December 1969, p. 74.

A., V.H. “Reviews and Previews,” ARTnews, January 1970, p. 12.

Sandler, Irving H. “Reviews and Previews,” ARTnews, January 1960, p. 18.

“From Exhibitions Here and There,” Art International, January 1960, p. 67.

Ashton, Dore. “Art: Two Abstractionists,” The New York Times, January 6, 1960.

Judd, Donald. “In the Galleries,” Arts, February 1960, p. 57.

Butler, Barbara. “Movie Stars and Other Members of the Cast,” Art International, February/March 1960, p. 52.

Ashton, Dore. Arts and Architecture, March 1960, p. 11.

Morse, John. D. “He Returns to Dada,” Art in America, Fall 1960, p. 76.

“American Sculpture in Paris,” Art in America, Fall 1960, p. 97.

Sandler, Irving H. “Ash Can Revisited: A New York Letter,” Art International, October 25, 1960, pp. 28-30.

Ashton, Dore. “La sculpture americaine,” XX Siecle, December 1960, p. 91.

Choay, Francoise. “Lettre de Paris,” Art International, December 1, 1960, pp. 35-36.

Canaday, John. “Gargoyles for the Machine Age,” Horizon, March 1961, p. 112.

Sandler, Irving H. “New York Letter,” Art International, March 1, 1961, p. 43.

Friedlander, Albert A. “Sculpture Show Satisfying,” Chicago Daily News, March 25, 1961.

Whiteside, Forbes. “Three Young Americans,” Allen Memorial Art Museum Bulletin, Fall 1961, pp. 52-57.

Hess, Thomas B. “Collage as an Historical Method,” ARTnews, November, 1961, p. 70.

Raynor, Vivien. “The Art of Assemblage,” Arts, November 1961, pp. 18-19.

Rubin, William. “The International Style: Notes on the Pittsburgh Triennial,” Art International, November 20, 1961, pp. 26-34.

Sandler, Irving H. “New York Letter,” Art International, November 20, 1961, p. 54.

Nordland, Gerald. “West Coast in Review,” Arts, December 1961, p. 64.

“Il Premio Carnegie 1961,” Domus, January 1962, p. 26.

O’Doherty, Brian. “Art: Transformed Scrap,” The New York Times, January 19, 1962.

Sandier, Irving. “In the Art Galleries,” New York Post, January 21, 1962.

Edgar, Natalie. “John Chamberlain,” ARTnews, February 1962, p. 15.

Ashton, Dore. “Art,” Arts and Architecture, March 1962, pp. 6-7.

Judd, Donald. “In the Galleries,” Arts, March 1962, p. 48.

Kozloff, Max. “New York Letter,” Art International, March 1962, pp. 52, 63.

S. G.R. “Reviews and Previews,” ARTnews, May 1962, p. 55.

Fried, Michael. “New York Letter,” Art International, October 25, 1962, pp. 72-76.

Ashton, Dore. “New York Report,” Kunstwerk, November 1962, p. 69.

Robbins, Daniel. “Modern Sculpture from the Joseph H. Hirshhorn Collection,” Apollo, November 1962, pp. 720-21.

Roberts, Colette. “Lettre de New York,” Aujourd’hui, November 1962, p. 50.  

Raynor, Vivien. “In the Galleries,” Arts, December 1962, p. 46.

Sandler, Irving. “Reviews and Previews,” ARTnews, December 1962, p. 54.

Rudikoff, Sonya. “New Realists in New York,” Art international, January 25, 1963, pp. 39-41.

Restany, Pierre. “The New Realism, “ Art in America, February 1963, pp. 102-104.

Coplans, John. “Reviews: John Chamberlain, Dilexi Gallery,” Artforum, March 1963, pp. 10-11.

“Premier Salon International de Galeries-Pilotes,” Art International, June 25, 1963, pp. 23-26.

Judd, Donald. “Kansas City Report,” Arts, December 1963, pp. 25-26.

Judd, Donald. “Chamberlain—Another View,” Art International. January 16, 1964, pp. 38-39.

Rose, Barbara. “How to Look at John Chamberlain’s Sculpture,” Art International, January 16, 1964, pp. 36-38.

Krauss, Rosalind. “Boston Letter,” Art International, February 15, 1964, pp. 32-33.

Brown, Gordon. “Gallery Previews,” Art Voices, March 1964.

Lausdale, Nelson. “Huge Sculpture Secretly Commissioned for New York World’s Fair,” Art Voices, March 1964.

Coplans, John. “Reviews,” Artforum, April 1964, pp. 38-40.

Hess, Thomas. “Editorial: Moses the Art Slayer Wins One Round,” ARTnews, April 1964, p. 25.

Ashbery, John. “Art and Artists in Paris,” The New York Herald Tribune, April 14, 1964.

Seldis, Henry. “Reporting from L.A.,” Art Voices, April/May 1964.

“Venice: The Biennale XXXII,” Arts, May/June 1964, pp. 76-77.

Johnson, Philip. “Young Artists at the Fair and at Lincoln Center,” Art in America, August 1964, p. 112, 117.

Judd, Donald. “in the Galleries,” Arts, September 1964, p. 71.

Swenson, Gene R. “Reviews and Previews,” ARTnews, September, p. 10.

Chevalier, Denys. “La Sculpture a la XXXIIe Biennale de Venise,” Art International, September 25, 1964, pp. 42-44.

Gassiot-Talabot, Gerald. “La Panoplie de l’oncle Sam a Venise,” Aujourd’hui, October 1964, p. 32.

Rose, Barbara, “New York Letter,” Art International, December 1964, pp. 47-50.

Edgar, Natalie. “Reviews and Previews,” ARTnews, February 1965, p. 13.

Rose, Barbara. “Looking at American Sculpture,” Artforum, February 1965, p. 30.

Lippard, Lucy R. “New York Letter,” Art International. April 1965, pp. 48, 53.

Seldies, Henry J. “West Coast Milestone,” Art in America, April 1965, p. 109.

Smith, Thomas Macaulay. “Art for the Underground House: A Criticism,” Art Voices, Winter 1965.

Piene, Nan R. “New York: Gallery Notes,” Art in America, May/June 1966, pp. 108-109.

Langsner, Jules. “Los Angeles,” ARTnews, January 1967, p. 63.

Townsend, Benjamin. “Albright-Knox-Buffalo: Work in Progress,” ARTnews, January 1967, p. 30.

Coates, Robert M. “The Art Galleries: Sculpture at the Whitney,” The New Yorker, January 7, 1967, pp. 84-86.

Leider, Philip. “A New Medium for John Chamberlain,” Artforum, February 1967, pp. 48-49.

Anderson, Wayne. “American Sculpture: The Situation in the Fifties,” Artforum, Summer 1967, pp. 60, 67.

T. A. “Reviews and Previews,” ARTnews, Summer 1967, p. 13.

Schulze, Franz. “Collector A. James Speyer,” Art in America, July/August 1967, p. 40.

Alloway, Lawrence. “Marilyn as Subject Matter,” Arts, September/October 1967, p. 40.

Fry, Edward F. “Sculpture of the Sixties,” Art in America, September/October 1967, p. 26.

Fry, Edward F. “The Issue of Innovation,” ARTnews, October 1967, p. 40.

Tillim, Sidney. “Scale and the future of Modernism,” Artforum, October 1967, pp. 14-18.

Mellow, James R. “The 1967 Guggenheim International,” Art International. December 1967, pp. 51-53.

Alloway, Lawrence. “Peter Forakis since 1960,” Artforum, January 1968, p. 25.

Kelly, Kay. “Chickie, It’s a Groove and a Gas…,” Twin Citian, March 1968, pp. 51-58.

Bannard, Darby. “Cubism, Abstract Expressionism, David Smith,” Artforum, April 1968, pps. 22-32.

Meadmore, Clement. “Thoughts on Earthworks, Random Distribution, Softness, Horizontality and Gravity, “ Arts, February 1969, pp. 26-27.

Schjeldahl, Peter. “The Vicissitudes of Sculpture,” The New York Times, February 9, 1969.

Benedikt, Michael. “Reviews and Previews,” Artnews, March 1969, p. 14.

Pomeroy, Ralph. “Soft Objects at the New Jersey State Museum,” Arts, March 1969, p. 47.

Baker, Elizabeth C. “The Secret Life of John Chamberlain,” ARTnews, April 1969, pp. 48-51, 63-64.

Wasserman, Emily. “Review: New York,” Artforum, April 1969, pp. 72-74.

Nordland, Gerald. “Robert Natkin,” Art International, October 1969, p. 53.

Armstrong, Lois. “Los Angeles,” ARTnews, December 1969, p. 73.

Plagens, Peter. “Los Angeles,” Artforum, December 1969, p. 74.


1970s

 

A., V.H. “Reviews and Previews,” ARTnews, January 1970, p. 12.

Rose, Barbara. “Artist’s buddy, give money, and total love,” Vogue, February 1, 1970, p. 179, 221.

“Fashions in Living: John Chamberlain’s Environments,” Vogue, April 15, 1970, p. 154.

Plagens, Peter. “Los Angeles,” Artforum, October 1970, p. 88.

Mueller, Gregoire. “Points of View: A Taped Conversation with Robert C. Scull,” Arts, November 1970, p. 39.

Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon,” Artforum, November 1970, p. 58.

Canaday, John, “John Chamberlain’s Sculpture’s,” The New York Times, April 24, 1971, p. 25.

Baker, Kenneth. “New York,” Artforum, June 1971, p. 82.

Coplans, John, “An Interview with Don Judd,” Artforum, June 1971, p. 44.

Baker, Elizabeth C. “Reviews and Previews,” ARTnews, Summer 1971, p. 11.

Domingo, Willis. “New York Galleries,” Arts, Summer 1971, p. 53.

Lusker, Ron. “New York: The Season in Sculpture,” Craft Horizons, August 1971, pp. 65-66.

“From Various Exhibitions of Last Season,” Art International, October 20, 1971, p. 33.

Kramer, Hilton. “Serving a Period Taste,” The New York Times, January 2, 1972, p. 17.

Genauer, Emily. “Art and the Artist,” The New York Post, January 8, 1972.

Baker, Elizabeth C. “The Chamberlain Crunch,” ARTnews, February 1972, pp. 26-31, cover.

Rose, Barbara. “On Chamberlain’s Interview,” Artforum, February 1972, pp. 44-45.

Tuchman, Phyllis. “An Interview with John Chamberlain,” Artforum, February 1972, pp. 38-43, cover.

Welish, Marjorie. “Chamberlain at the Guggenheim,” Arts, February 1972, pp. 54-55.

Ratcliff, Carter. “New York Letter,” Art International, February 20, 1972, p. 53.

Schwartz, Barbara. “Letter from New York,” Craft Horizons, April 1972, p. 58.

Siegel, Jeanne. “Furniture Designed by Artists for Daedalus Concepts,” ARTnews, October 1972, p. 79.

Henning, Edward B. “An Important Sculpture by John Chamberlain,” The Bulletin of the Cleveland Museum of Art, October 1973, pp. 242-46.

Thomsen, Barbara. “Reviews and Previews,” ARTnews, February 1974, p. 90.

Foote, Nancy. “John Chamberlain at Castelli,” Art in America, March/April 1974, p. 105.

Schwartz, Barbara. “New York,” Craft Horizons, April 1974, p. 48.

“Art: Monumenta,” Vogue, August 1974.

“New York Sculpture,” Craft Horizons, February 1975, p. 58.

Ellenzweig, Allen. “Group Show,” Arts, April 1975, p. 12.

Bell, jane. “John Chamberlain: New Sculpture,” Arts, June 1975, pp. 88-89.

Larson, Philip. “cy Twombly/John Chamberlain,” Arts, June 1975, p. 30.

Herrera, Hayden. “John Chamberlain at the Houston Contemporary Arts Museum,” Art in America, September/October 1975, pp. 105-106.

Nordland, Gerald. “Los Angeles Newsletter,” Art International, March/April 1976, p. 56.

Baracks, Barbara. “John Chamberlain at Leo Castelli Gallery Uptown,” Artforum, June 1976, p. 70.

Frackman, Noel. “John Chamberlain at Castelli Gallery,” Arts, June 1976, p. 19.

Zucker, Barbara. “New York Reviews,” ARTnews, Summer 1976, p. 175.

Burr, James. “Round the Galleries,” Apollo, August 1977, p. 156.

Lucie-Smith, Edward. “John Chamberlain,” Art and Artists, September 1977, p. 53.

Russell, John. The New York Times, November 25, 1977.

Tatransky, Valentin. “Arts Reviews,” Arts, January 1978, p. 27.

Ak, Edit de. “John Chamberlain at Heiner Friedrich Gallery,” Artforum, Feburary 1978, p. 62.

French-Frazier, Nina. “New York Reviews,” ARTnews, February 1978, p. 152.

Kuspit, Donald B. “John Chamberlain at Heiner Friedrich,” Art in America, July/August 1978, p. 112.

Power, Kevin. “Robert Creeley on Art and Poetry,” The Niagara Magazine, Fall 1978.

Slesun, Suzanne. ‘The New York Artists in Residence,” ARTnews, November 1978, pp. 66, 73.

Whelan, Richard. ‘New Editions,” ARTnews, March 1979, p. 44.

Gachnang, Johannes. “Bericht einer Reise,” Kunst-Bulletin, April 1979.

Senie, Harriet. “Urban Sculpture: Cultural tokens or ornaments to life?” ARTnews, September 1979, p. 198.


1980s

 

Tompkins, Calvin. “Profiles: Leo Castelli,” The New Yorker, May 26, 1980.

Ratcliff, Carter. “The ‘Art’ of Chic,” Saturday Review, April 1981, pp. 14-15.

Marmer, Nancy. “Isms on the Rhine,” Art in America, November 1981, p. 114.

Frackman, Noel. “Tracking Frank Stella’s Circuit Series,” Arts, April 1982, pp. 134-137.

Hawthorne, Don. “Does the Public Want Public Sculpture?,” ARTnews, May 1982, pp. 56-63.

Hemphill, Christopher. “A Matter of Mood/An Expression of Contemporary Sensibility,” Architectural Digest, May 1982, pp. 172-179.

Bardeschi, Marco Dezzi. “From Johnson to John Sloane,” Domus, September 1982, pp. 43-48.

Ammann, Jean-Christophe. “Documenta-Reality and Desire,” Flash Art, November 1982, p. 38.

Silverthorne, Jeanne. “John Chamberlain,” Artforum, November 1982, p. 75.

Auping, Michael. “An Interview with John Chamberlain, “ Art Papers, January/February 1983.

“The Vasari Diary: The Whitney Calls for Philip Morris,” ARTnews, May 1983, p. 19.

Indiana, Gary. “John Chamberlain’s Irregular Set,” Art in America, November 1983, pp. 208-216.

Smith, Duncan. “In the heart of the Tinman. An Essay on John Chamberlain,” Artforum, January 1984, pp. 39-43.

Rayhor, Vivien. “Art,” The New York Times, March 2, 1984.

Levin, Kim. “Art: John Chamberlain,” The Village Voice, March 7-13, 1984, centerfold.

Ianco-Starrels, Joseine. “Sculpture from Auto Parts, Wire,” Los Angeles Times, March 25, 1984, Calendar, p. 84.

Ames, Richard. “Two-man show at UCSB,” News-Press (Santa Barbara), March 31, 1984, pp.13-32.

Muchnic, Suzanne. “Two Sculptors show their Creative Metal,” Los Angeles Times, April 16, 1984, Calendar, pp. 1, 6.

“Magnet New York: Die alten Miester sind noch jung,” Art Das Kunstmagazin, May 1984, p. 34.

Russell, John. “Art: Just the Show for Summer in Hamptons,” The New York Times, August 3, 1984, pp. C1, 20.

Raynor, Vivien. “Sculpture,” The New York Times, August 3, 1984, p. C21.

Ellis, Stephen. “The Bronze Age, The Iron Age, the Age of Gold,”, 1985.

Wilson, William. “The Galleries: La Cienega Area,” Los Angeles Times, March 15, 1985, Part VI.

Hicks, Alistair. “Temple to Mao,” Spectator, April 6, 1985.

Danoff, Michael I. “How the Sculptures Were Selected for State Street Exhibit,” Chicago Sun times, May 5, 1985.

Buchloch, B.H.D. “La Conclusion de la Sculpture Moderniste,” Revue d’art contemporain, Artistes, pp. 6-14.

Bourdon, David. “Artists Dialogue: John Chamberlain- The Squeeze and The Fit,” Architectural Digest, November 1985, pp. 70-81.

Shepard, Michael. “The most of the minimum,” The Sunday Telegraph, January 5, 1986, p. 15.

Sylvester, Julie. “Conversations with John Chamberlain,” (excerpts from the exhibition catalogue), The Contemporary (A Museum of Contemporary Art Publication, Los Angeles), Spring 1986, pp. 1, 4.

Muchnic, Suzanne. “The Art Galleries: La Cienega Area,” Los Angeles Times, July 25, 1986.

Drohojouska, Hunter. “Artist with wanderlust is driven to sculpt with autos,” Los Angeles Herald Examiner, July 27, 1986.

McGill, Douglas C. “Art People,” The New York Times, August 1, 1986, p. C28.

Conal, Robbie. “Heavy Metal,” LA Weekly, August 8, 1986, p. 47.

Russell, John. “Art,” The New York Times, August 10, 1986, p. 2G.

Wilson, William. “Chamberlain’s Tough/Tender Heavy Metal,” Los Angeles Times, August 17, 1986, p. H29.

Morgan, Robert C. “The Look,” The Village Voice, August 26, 1986, p. 83.

Mankin, Eric. “MOCAmendation,” LA Weekly, August 29, 1986, p. 4.

McManus, Michael. “The Poetics of Process,” Artweek, September 27, 1986, p. 1.

Yau, John. “Reviews,” Artforum, November 1986, p. 131.

Adams, Brooks. “John Chamberlain at the Museum of Contemporary Art,” Art in America, December 1986, p. 147.

“Klein, Chamberlain, Penck, Kruger, Un Arcangelo italiano, la Bach e la Graves,” Il Giornale Dell’Arte, April 1987.

Ruhe, Barnaby. “Whitney Bi: Gray, Gate and Gone,” Art/World, April 15, 1987, pp. 1, 8.

Lee, David. The Times, London, April 24, 1987.

Graham-Dixon, Andrew. “Fender bender,” The Independent (London), April 25, 1987.

Raynor, Vivien. “Art: Pure Sculpture by John Chamberlain,” The New York Times, May 22, 1987, p. C23.

Kreis, Elfi. “Die Form ist der Gegenstand: Chamberlain, Tuzina, Kiecol und Halley bei Onnasch,” Tagesspeigel. August 12, 1987.

Agee, William. “The Year of John Chamberlain,” The New Criterion, November 1987.

Cooke, Lynne. “Review of the Catalogue Raisonne,” Burlington Magazine, December 1987.

Griffiths, John. “Deconstructionist Tendencies in Art,” Art and Design, 1988, pp. 53-60.

Kohen, Helen. “Five from Florida,” Miami Herald, January 10, 1988, pp. 1K, 3K.

Floss, Michael. “John Chamberlain’s Sculptures,” Newsletter, University Art Museum (Berkeley, CA), February 1988.

Sozanski, Edward J. “Works of Four Prominent Sculptors,” The Philadelphia Inquirer, March 17, 1988.

Kipling, Kay. “In John’s Chambers,” Sarasota Magazine, May 1988.

W., W. “La Cienega Area,” Los Angeles Times, June 17, 1988.

Simmons, Ira. “Sculptor and his art,” The Courier Journal (Louisville), July 31, 1988.

Heartney, Eleanor. “New Sculpture Group: New York Studio School,” ARTnews, October 1988, pp. 184-185.

“Art Appreciation, 1989,” Avenue Magazine, February 1989.

“The New Art History,” Avenue Magazine, February 1989.

Cooke, Lynne. “Etranger: John Chamberlain,” Beaux Arts, March 1989.

Lebowitz, Cathy and Walter Robinson. Artworld, March 1989.

Kimmelman, Michael. “John Chamberlain,” The New York Times, March 3, 1989.

Kramer, Hilton. “A Rare Sculptor Who Succeeds with Color,” The New York Observer, March 13, 1989.

“Goings on about Town,” The New Yorker, March 13, 1989.

Flam, Jack. “Making the Gallery Rounds,” The Wall Street Journal, March 22, 1989.

“Bilderstreit,” Flash Art, News, March/April 1989.

Brandt, Tohy. “Second Outdoor Exhibition in Monte Carlo,” The Journal of Art, April 1989.

Decter, Joshua. “John Chamberlain,” Arts Magazine, May 1989.

Gachnang, Johannes and Rudolf Schmitz. “Keeping the Whole Thing in Motion,” Tema Celeste, May 1989.

Grove, Nancy. “Getting into Shape,” Art and Antiques, May 1989.

Hayt-Atkins, Elizabeth. “John Chamberlain,” ARTnews, May 1989.

“Art and About,” Details, May 1989.

Princenthal, Nancy. “John Chamberlain at Pace,” Art in America, June 1989.

“Blick Uber Den Atlantik und Zuruck,” Madame, June 1989.

Princenthal, Nancy. “Western Tilt,” Art in America, Summer 1989.

Wechsler, Max. “Bilderstreit,” Artforum, September 1989.

Steffen, Barbara. “View,” Artscribe, November/December 1989.

Clothier, Paul. “Living with Art,” ARTnews, December 1989.

Gardner, Paul. “Mesmerized by Minimalism,” Contemporanea. December 1989.

1990s

 

Hurlburt, Roger. “The Accidental Artist,” Sun Sentinel, February 25, 1990.

 Gilsoul, Guy. “Exposition: L’art en Floride,” Spectacles, March 1990.

“In de Musea: Made in Florida,” De Standaard, March 16, 1990.

“Kultur/Service: Kunst uit Florida in Provinciaal Begijnhof,” Streeknieuws, March 1990.

“Tips Tentoonstelling: Made in Florida,” De Standaard, March 16, 1990.

Gebruers, Paul. “Reizende expo, made in Florida,” Het Nieuwsblad, March 23, 1990.

Bekkers, Ludo. “Kunst uit Florida in Hasselt: Naar waar de applesienen grocien,” Cultuur, March 31, 1990.

Dawson, Fielding. “Self-Portrait in Steel; A Talk with John Chamberlain,” Arts Magazine, April 1990.

Kuspit, Donald. “Troubled Titan; John Chamberlain’s Existential Vernacular,” Arts Magazine, April 1990.

Vaizey, Marina. “Talking in many tongues,” The Sunday Times, April 5, 1990.

Ehrlich, Jane. “From junkyard to art gallery: The man who brought us auto parts cum fine arts cruises into London,” The American, April 6, 1990.

Kent, Sarah. “John Chamberlain: Waddington’s,” Time Out, April 11-18, 1990.

Norman, Geraldine. “Contemporary Art Market: Abstract Expressionism shows its staying power,” The Independent, April 16, 1990.

“Current Shows,” The Independent, April 17, 1990.

Smith, Roberta. “Sculpture in the City From Blankets to Bronze,” The New York Times Magazine, April 20, 1990.

Clothier, Peter. “Living with Art,” ARTnews, May 1990.

Altabe, Joan. “John Chamberlain from a New Angle,” Sarasota Herald Tribune, May 13, 1990.

“Chamberlain Inducted into Arts Hall of Fame,” Sarasota Herald Tribune, May 27, 1990.

Riley, Charles A. “Previews: Basel,” Art & Auction, June 1990.

Gutterman, Scott. “World Chronicle-New York: Natural and Unnatural Causes,” Art International, Autumn 1990.

Parks, Cynthia. “Fine Art for All Seasons,” The Florida Times-Union, September 23, 1990.

Parks, Cynthia. “You can see anything under the sun at ‘Florida’ exhibition,” The Florida Times-Union, September 23, 1990.

Temata, Christine. “The variety is dazzling in ‘The Unique Print’ at the MFA,” The Boston Sunday Globe, September 23, 1990.

Plunkett, Robert and Janis R. Frawley, eds., “The Creative Spirit: Sarasota Artists and Their Sense of Place,” Sarasota Magazine, October 1990, p. 19.

“New York in Review,” Arts Magazine, November 1990.

Failing, Patricia. “Judd and Panza Square Off,” ARTnews, November 1990, pp. 146-151.

“Painted Forms: Recent Metal Sculpture,” The New York Times, January 4, 1991.

Night, no. 20, 1991 (photos of John working on the Hersey couch, 1978).

“Biennale de sculptures de Monte Carlo,” Quotidien de Paris, February 19, 1991.

Clark, Charles Lynn (Translator). “Telegrams: Korea,” Galeries Magazine, February/March 1991, p. 21.

Bacon, George. “New York: Riedizioni per Smith e Kosuth, Pasolini pittore, gli Harrison, il reggiseno di Acconci, Robert Morris, Lupertz e Brownell,” Il Giornale Dell’Arte, no. 87, March 1991.

Tuchmann, Phyllis. “Art Review: One Man’s Power of Melding,” New York Newsday, March 27, 1991, Part II, pp. 57, 84.

“Satellite,” Artscribe, March/April 1991, p. 19.

Johnson, Ken. “Of Industry & Intuition,” Art in America, April 1991, pp.1288-135, and cover.

“Goings On About Town/Galleries- 57th Street Area: John Chamberlain,” The New Yorker, April 1, 1991.

Russell, John. “Art View: Where Little Nothings Turn into Big Somethings, “ The New York Times, April 7, 1991, pp. 33, 35.

Altahe, Joan. “Arts/Travel: Color Me Sarasota,” Sarasota Herald Tribune, April 21, 1991, pp. 1G, 5G.

Clarke, Charles Lynn (translator). “Telegrams: Korea,” Galeries Magazine, April/May 1991, p. 21.

Cyphers, Peggy. Arts Magazine, Summer 1991, p. 95.

Gookin, Kirby. “Reviews: John Chamberlain/Pace Gallery, Pace Prints,” Artforum, Summer 1991, pp. 107-108.

Harris, Dale. “Deep in the Art of Texas,” Travel and Leisure, June 1991.

“John et Les Ferrailleurs,” City Magazine International, June 1991, p. 13.

“john Chamberlain, Une Oeuvre Soudee,” Beaux Arts, no. 92, July/August 1991.

“A Big Slice of the Cake But Not Much Filling,”” The Art Newspaper, no. 10, July/September 1991.

Smith, Roberta. “Visions of the 60’s, From 2 Dealers Who Shaped It,” The New York Times, August 16, 1991, p. C1.

Sommerschuh, J. “Autoblech im Albertinum,” Sachsische Zeitung, August 24/25, 1991.

Gimelson, Deborah. “Chicago Fairs,” Art and Auction, September 1991.

Heartney, Eleanor. “ ‘Constructing American Identity’ at the Whitney Museum Downtown,” Art in America, September 1991, p. 133.

Schmitz, Rudolf. “Forever Young: John Chamberlain in Baden-Baden,” Parkett, no. 29, 1991, pp. 124-131.

Altabe, Joan. “John Chamberlain et sa method,” Art Press, 163, November 1991.

Botin, Piloma. “Chamberlain Stolen in Germany,” IFA Reports, vol. 12, December 1991, p. 11.

Gardner, Paul, “Do Titles Really Matter?,” ARTnews, February 1992, pp. 92-97.

Taylor, Paul. “Leo Castelli in His 85th Year: A Lion in Winter,’ The New York Times, February 16, 1992, p. H33.

Hurlburt, Roger. “Talent shines with ‘Stars in Florida’,” Sun-Sentinel, February 16, 1992.

Sabin, Selma. “South Florida Museum of Art an exciting stop,” The Advocate, February 19, 1992.

Schwan, Gary. “Florida artists shine at exhibit,” The Palm Beach Post, February 21, 1992.

Los Angeles Times, February 27, 1992.

Armstrong, Richard. “American Life in American Art, 1950, 1990,” Atelier, March, 1992, pp. 42-55.

Reynaud, Berenice. “Donald Judd regle ses comptes,” Beaux Arts, 110. 99, March 1992, pp. 53-59.

Vetrocq, Marcia E. “Report from Turin: Back to Basics,” Art in America, April 1992, pp. 67-72.

Tarbell, Bethany. “IFAR’s Most Wanted,” Art & Antiques, Summer 1992.

Morgan, Robert C. “Psycho,” Tema Celeste, Summer 1992, p. 79.

Dullea, Georgia. “With This Spiral: Guggenheim Inaugurates a Marriage,” The New York Times, June 26, 1992, pp. B1-B2.

Rice, Robin. “The Gang’s All Here,” Philadelphia City Paper, July 3/10, 1992, p. 14.

Sansegundo, Seridan. “At the Galleries,” The East Hampton Star, August 6, 1992, p. 116.

Smith, Roberta. “Long Island Shows: Small, Closely Focused and Odd,” The New York Times, August 21, 1992, p. C22.

Braff, Phyllis. “John Chamberlain’s Colorful Automobile Parts,” The New York Times (Long Island Edition), August 23, 1992, p. 12.

Feaver, William. “Reviews: Sculpture, Waddington,” ARTnews, September 1922, p. 133.

Lesser, Adrienne. “Artist Shows His Mettle,” The Southampton Press, September 3, 1992.

Silvka, Rose, C.S. “From the Studio,” The East Hampton Star, September 3, 1992.

Wallach, Amei. “Taking a Long Last Look at the Best of Summer,” New York Newsday, September 4, 1992.

Gardner, Paul. “An extraordinary gift of art from ordinary people,” Smithsonian Magazine, October 1992, pp. 124-130.

Spring, Justin. “Reviews,” Artforum, November 1992.

Glueck, Grace. “SoHo’s Election Year Concept: A New Flag,” The New York Observer, November 16, 1992, p. 24.

Henry, Gerrit. “Reviews,” ARTneews, January 1993, p. 128.

Hochfield, Sylvia. “White by Any Name,” ARTnews, March 1993, pp. 20, 22.

“Artworld: Awards,” Art in America, April 1993, p. 152.

Domino, Christophe. “Chamberlain American Mecano,” Beaux Arts, April 1993, pp. 42-47.

Fugate, Marty. “Interview: John Chamberlain,” Sarasota Arts Review, vol. 3, issue 7. April 1993, pp. 19-22.

Melrod, George. “John Chamberlain at Pace Gallery,” Atelier, April 1993.

Baudot, Francois. “Chamberlain: Le Chic du Choc,” Elle (French edition), April 12, 1993.

Vogel, Carol. “Finding the Specialists Upstairs in SoHo,” The New York Times, April 16, 1993, pp. C1, C26.

Kertess, Klaus. “Skowhegan Medal for Sculpture: John Chamberlain,” 1993 Skowhegan Awards Dinner, program, April 27, 1993.

“Albers at Parrish,” The East Hampton Star, April 29, 1993, p. 11-17

Slivka, Rose. “From the Studio,” The East Hampton Star, June 10, 1993, p. 11-19.

Strickland, Carol. “Unshackled, Unconventional Sculptor,” The New York Times (Long Island Edition), June 13, 1993.

Ramljak, Suzanne. “John Chamberlain: Lifetime Achievement Award Recipient,” Sculpture, September/October 1993, pp. 14-15.

“News: John Chamberlain Wins Sculpture Prize,” Flash Art, October 1993, p. 50.

Hughes, Robert. “The View from Piccadilly,” Time, October 4, 1993, pp. 78-79.

“Postscript,” Sculpture, January/February 1994, p. 72.

Mannheimer, Steve. “Photos Take the Place of Smashed Cars,” The Indianapolis Star, May 1, 1994, pp. 1-12.

Baker, Kenneth. “Metal Packed with Form, Light,” San Francisco Chronicle, June 18, 1994.

Smith, Roberta. “Art in Review—John Chamberlain,” The New York Times, September 23, 1994, p. C35.

“Goings on About Town Art,” The New Yorker, October 10, 1994, p. 22.

Liebmann, Lisa. “Iron John,” Elle Décor, October/November 1994, pp. 42-45.

Adlmann, Jan Ernst. “Report from Santa Fe: Going Mainstream,” Art in America, January 1995, pp. 51-55.

Bellet, Harry, “FIAC,” Atelier International, January/February 1995.

Kalina, Richard. “John Chamberlain at PaceWildenstein,” Art in America, January 1995, pp. 101-102.

Leffingwell, Edward. “Report from Sao Paulo: The Bienal Branches Out,” Art in America, March 1995, pps. 35-41.

Giovanni, joseph. “Friesen Outside,” Elle Décor, April/May 1995, pp. 238-243.

Vogel, Carol. “Art in the Hamptons: More is Clearly More,” The New York Times, August 8, 1995, pp. C13, C15.

Knight, Christopher. “A Blue- Chip Gallery Sees Blue Skies in L.A.,” The Los Angeles Times, September 17, 1995, calendar, pp.4, 36-37.

“A Question of Taste,” ARTnews, September 1995, p. 30.

Drohojowska-Philip, Hunter. “Still Making Things Happen,” The Los Angeles Times, September 17, 1995, calendar, pp. 4, 36-37.

Goodwin, Betty. “Gallery Party Leaves’ Em Out on the Streets,” Los Angeles Times, October 2, 1995.

De Bure, Gilles. “Qui sont les tetes de l’art,” Beaux Arts, October 1995, pp. 21-27.

Kertess, Klaus. “You’re Looking at the Future,” Elle Décor, October/November 1995, pp. 60-66.

Robinson, Walter. “Obituaries: Julio Juristo,” Art in America, November 1995, p. 134.

Polsky, Richard. “Ahead of the Curve: Buy? Sell? Hold?,” Art & Auction, December 1995, pp. 60-64.

Stevens, Mark. “Energy Made Visible, “ New York, February 19, 1996, pp. 62-63.

Gardner, Paul. “Pleasure, Pain & Protocol: Studio Visits,” ARTnews, March 1996, pp. 106-109.

Brozan, Nadine. “Chronicle: In Bryant Park, the face of violence,” The New York Times, April 22, 1996, p. B5.

Pollack, Barbara. “New Day at Dia,” ARTnews, May 1996, p. 53.

Griffin, Tom. “John Chamberlain: PaceWildenstein,” Time Out New York, June 12-19, 1996, p. 26.

Anderton, Frances. “The gallery strikes back,” The Art Newspaper, July/August 1996, p. 34.

Colacello, Bob. “Remains of the Dia,” Vanity Fair, September 1996, pp. 173-174, 181-182, 186, 191, 198-200, 202, 204.

Chambers, Karen. “Joan Mitchell and John Chamberlain: A Juxtaposition,” Review, December 15, 1997, p. 23.

Glueck, Grace. “Joan Mitchell and John Chamberlain ‘A Juxtaposition’,” The New York Times, December 19, 1997, p. E40.

Kandel, Susan. “Discovering a Rainbow in Metalwork,” Los Angeles Times, January 9, 1998, p. F26.

“Precious Metal,” Time Out New York, March 19-26, 1998, p. 61.

Johnson, Ken. “Galleries: SoHo, John Chamberlain,” The New York Times, March 27, 1998, p. 61.

Bell, J. Bowyer, “John Chamberlain: Fauve Landscape, “ Review, April 1, 1998, p.23.
Braff, Phyllis. “For Artists, Studios function As Canvases,” The New York Times (Long Island Section), May 31, 1998, pp. 1-6.

Kalina, Richard. “John Chamberlain at PaceWildenstein,” Art in America, July 1998, p. 91.

King, Elaine A. “New York: John Chamberlain,” Sculpture, May 1999, pp. 73-74.

Zeiger, Lisa. “MoCA Grande,” Interiors Magazine, August 1999, p. 47.

“Easy as Aby,” The New York Observer, August 2, 1999, p. 21.

2000s

Myers, Holly. “John Chamberlain at L.A. Louver,” Los Angeles Times, May 25, 2001.

Obrian, John. “Ed Moses and John Chamberlain,” ArtScene, May 2001, pp. 15-16.

Naves, Mario. “A Stalemate, Not a Tête-À- Tête,” The New York Observer, October 15, 2001.

Johnson, Ken. “Willen de Kooning and John Chamberlain ‘Influence and Transformation’,” The New York Times, October 19, 2001, p. E39.

Conley, Kevin. “Willem de Kooning and John Chamberlain,” The New Yorker, October 22, 2001, p. 13. 

“The 10th Anniversary of the ISC’s Lifetime Achievement In Contemporary Sculpture Award,” Sculpture, December 2001, pp.52-57.

Kalina, Richard. “Willem de Kooning and John Chamberlain at PaceWildenstein,” Art in America, January 2002, p. 105.

Carrier, David. “New York: Modern Sculpture,” Burlington Magazine, 144, no. 1186, January 2002, pp. 55-56.

Villani, John. “The Cultural Desert, Mayo Clinic and Scottsdale Museum of Contemporary Art,” ARTnews, March 2002, p. 128.  

Serota, Nicholas. World of Interiors, April 2002, pp. 172-179.

“Happening. Art and Commerce,” New York, June 17, 2002, p. 73.

Cohen, David. “Gallery-Going,” The New York Sun (Arts and Letters), December 11, 2003, p. 17.

Douglas, Sarah. “Wider Commercial Scene. John Chamberlain: Recent Sculpture, Pace Wildentein; Agnes Martin: Recent Paintings, PaceWildenstein,” The Art Newspaper, February 2003, no. 133, p. 4.   

“John Chamberlain: Early Works,” The Art Newspaper, December 2003, no. 142, p. 5.

Finch, Charlie. “Thoughts on the Passing Scene,” Artnet.com Magazine Features on the Web, ), www. artnet.com/magazine/features/cfinch/finch1-23-03.asp?C=1.

Harrison, Helen A. “You Can’t Drive This Car,” The New York Times (Long Island Edition), June 1, 2003, p. 16.

Johnson, Ken. “Long Island Shows: The Gilded Age to the Swirl of the Double Helix,” The New York Times, July 25, 2003.

Kimmelman, Michael, “The Greatest Generation,” The New York Times Magazine, April 6 2003, pp. 31-37. 

Kimmelman, Michael, “John Chamberlain ‘Early Works’, “ The New York Times, November 14, 2003, p. E35.

Kramer, Hilton. “The Dia in Beacon: Vast Ascetic Folly,” New York Observer, September 15, 2003, pp.1-20.

Long, Robert. “Chamberlain’s Paradoxical Works,” The East Hampton Star, February 20, 2003, pp. C1, C3.

Long, Robert. “Chamberlain on Chamberlain,” The East Hampton Star, June 26, 2003, pp. C1, C5.

Macadam, Barbara. “Reviews. Dia: Beacon,” ARTnews, Summer 2003, p. 160.

Ortiz, Lori. “John Chamberlain at PaceWildenstein,” Spring 2003, www.artcritical.com/blurbs/LOChamberlain.htm.  

Princenthal, Nancy. “Dia: Beacon: The Imperturbables,” Art in America, July 2003, pp. 62-72.

Sischy, Ingrid. “Shining Beacon: Thinking Big. Thinking Out of the Box. Thinking Art Interview Talks to the Director of a Brave New Museum,” East Hampton Star, July 2003, pp. 76-85.

Slivka, Rose. “From the Studio,” East Hampton Star, 2003.

Weiss, Marion W. “Art Commentary with Marion Wolberg Weiss” May 9, 2003, p. 61.

Wilkin, Karen. “The Gallery: Minimal Art Maximal Setting,” The Wall Street Journal, July 15, 2003, p. D8. 

Colman, David. “A Horn That sings of Smoky Clubs, “ The New York Times, February 22, 2004, p. 9.

Johnson, Ken. “Art Review: Where Quiet Contemplation Beats the Rewards of Shock, Art Dealers Association of America Armory Show Review,” The New York Times (Fine Arts Leisure Section), February 20, 2004, p. E37.

Johnson, Ken. “The Hamptons, A Playground for Creativity, Parrish Art Museum Exhibition Review,” The New York Times, August 6, 2004, p.E29.

Karmel, Pepe. “The Year of Living Minimally, Museum of Contemporary Art, Los Angeles,” Art in America, December 2004, pp. 90 – 101, 149, p.101.

Smith, Roberta. “Designers for a Day: Sculptors Take a Turn,” The New York Times, September 10, p.E25.

Villani John. “Inaugural Exhibition: Bentley Projects,” Art News, June 2004, p. 123.